"Apparition and Aberration"
is now available from
Depressive Illusions Records.
This package includes a compact disc, case, booklet and sticker.
Showing posts with label aberration. Show all posts
Showing posts with label aberration. Show all posts
Tuesday, March 12, 2013
Depressive Illusions Records
"Apparition and Aberration"
is now available from
Depressive Illusions Records.
This package includes a compact disc, case, booklet and sticker.
Thursday, March 7, 2013
Black Metal and Brews Review
For most of my life, I've had a slight hearing issue. Not the sort of thing you could really diagnose and treat, just the sonic equivalent of everything blurring a little around the edges. It wouldn't surprise me if the extra focus this requires of me has contributed heavily to my great appreciation of listening to the intricacies of music. I listen for the notes between notes, the hidden things that bands might not have even intended for us to hear. When I hear a murky album like Minblod's "Apparition and Aberration," I get a rush from the challenge and the promise of hidden sounds just waiting behind the blur of noise.
Minblod's music works in textures more than individual sonic components. While a determined ear can separate the instruments from each other, the first listen gives little more than a heavy blanket of distortion and shrieks. As the listener focuses, there is almost a calming sensation amid the bleak atmosphere that Minblod creates. The dense fuzz becomes a layer of fog enveloping the listener rather than an obstacle between the music and the listener. Indeed, there is a certain meditative quality to these songs, many of which plod along at a slower pace than is traditionally accepted in black metal. The slow pace paired with the density of the music take the lo-fi template of artists like Xasthur to new depths of isolation, as presented on tracks like "Three Permutations." However, unlike depressive groups who share a similar aesthetic, Minblod seems to be simply acknowledging the inherent chaos in every moment rather than simply holing up and wallowing in self-pity. Indeed, closing track "Heuristic Construct" has an almost redemptive quality to its relatively mellow ambiance, as if rewarding both listener and artist for surviving the album.
This album is available for download courtesy of Humid Records and will soon see physical release from Depressive Illusion. The album comes on CDr in a DVD case which holds a booklet explaining the philosophical journey on which "Apparition and Aberration" takes the listener. To say that the brief essays contained within are challenging reads would be an understatement, but they detail the artist's thoughts on our ability to observe ourselves using our established tools of perception. This companion booklet really makes the physical release a must-have, so keep an eye out.
Taken from: blackmetalandbrews.blogspot.com
Minblod's music works in textures more than individual sonic components. While a determined ear can separate the instruments from each other, the first listen gives little more than a heavy blanket of distortion and shrieks. As the listener focuses, there is almost a calming sensation amid the bleak atmosphere that Minblod creates. The dense fuzz becomes a layer of fog enveloping the listener rather than an obstacle between the music and the listener. Indeed, there is a certain meditative quality to these songs, many of which plod along at a slower pace than is traditionally accepted in black metal. The slow pace paired with the density of the music take the lo-fi template of artists like Xasthur to new depths of isolation, as presented on tracks like "Three Permutations." However, unlike depressive groups who share a similar aesthetic, Minblod seems to be simply acknowledging the inherent chaos in every moment rather than simply holing up and wallowing in self-pity. Indeed, closing track "Heuristic Construct" has an almost redemptive quality to its relatively mellow ambiance, as if rewarding both listener and artist for surviving the album.
This album is available for download courtesy of Humid Records and will soon see physical release from Depressive Illusion. The album comes on CDr in a DVD case which holds a booklet explaining the philosophical journey on which "Apparition and Aberration" takes the listener. To say that the brief essays contained within are challenging reads would be an understatement, but they detail the artist's thoughts on our ability to observe ourselves using our established tools of perception. This companion booklet really makes the physical release a must-have, so keep an eye out.
Taken from: blackmetalandbrews.blogspot.com
Saturday, February 23, 2013
Occult Black Metal Zine Interview
1. Can you tell us a little bit about the band for those that have never heard of you before?
Minblod is a new project that I began after forming an affiliation with Humid Records. I am the sole composer and performer. All of the material is recorded in my simple home studio.
2. How would you describe your musical sound?
I think that it would not be inaccurate to say that Minblod may be described as an integration of the black and doom metal traditions. However, I do not attempt to adhere to any specific category. There are elements of my music that violate the definitions of either genre. However, the intentionally primitive production quality is commonly found in both black and doom metal. Rather than attempt to ensure that each component is clearly distinguishable, I prefer that my music be experienced as a cohesive aggregation of darkness and despair. The atmosphere is prioritized over any other consideration.
3. What are some of the themes and concepts the band brings out with the music?
Apparition and Aberration is an exploration of epistemic limitations. So called knowledge is merely a collection of propositions related only to subjective perceptions. The true nature of existence is never directly experienced. This nihilistic realization invalidates any notions of transcendental epistemology.
4. What is the meaning and inspiration behind the band's name?
Minblod represents the perpetual condition of subjectivity. Because consciousness is dependent on referential content, an individual is never able to acquire any absolute truth. Rather, the subject must construct artificial theories in order to interpret any meaning. While the accuracy of these representations may be increased through the assessment of hypotheses, it is not possible to possess absolute knowledge. Although false concepts may be eliminated by contrary evidence, a universal theory is never proved by a particular experience.
5. Has the band been able to play live or is this strictly a studio project?
In collaboration with Edward Newman, I have previously played live under the title of my previous project, Distorted Cognitions. However, I prefer to create an atmospheric experience that is really only possible in recordings. As of now, without some unforeseen circumstance, Minblod will not play live.
6. Currently you are signed to Humid Records, how did you get in contact with this label and how would you describe the support they have given you so far?
Initially, my previous project contributed to the first volume of the Humid Records Sampler. After that they expressed interest in working together on future releases. I like working with them. Humid Records is a small underground label that is supportive of the artists. They allow creative freedom and do not attempt to impose any restrictions on artistic expressions.
7. Worldwide, how has the feedback been to your music by fans of black and doom metal?
While feedback has been limited, it has mostly been positive. In the past, a few blogs have given good reviews of my previous music. I have also traded with several labels over the years. I am always open to trades. I encourage anyone who is interested to contact me.
8. Are there any other projects besides this band or is this a full time line up?
For now, I am focusing exclusively on Minblod. I am pretty sure that I am finished with Distorted Cognitions. However, I may do something with that series in the distant future. I am not completely opposed to the possibility of collaborating with someone else at some point, but typically I prefer to work alone. Maintaining total control over my music allows me to shape every element. I do not have to compromise.
9. What direction do you see your music heading into on future releases?
It seems as though my music has been progressing in the direction of slower and longer works. The material that I have been working on most recently places more emphasis on synthesizer contributions. I think that this adds more depth to the atmosphere. Although Apparition and Aberration does contain keyboards, they are mostly supplemental to the guitar on this release. In the future, the keyboard will likely be more prominent. I do not know if Minblod will ever completely abandon the metal genre as is common for aging black metal artists. It is sufficient to say that, if that type of development does occur, it will not be in the near future.
10. What are some bands or musical styles that have influenced your music and also what are you listening to nowadays?
In the beginning and to this day, Burzum remains one of my favorites. The influence that Varg's music has had on me is unquestionable. Although other musicians may have initially pioneered the black metal genre, to me, Varg was the first to really produce this type of music with such a profound atmosphere. Though he would likely deny it, I think that Varg is the single person who has had the most impact on black metal. While others were focused on being 'evil' and 'brutal', Burzum created something that transcended the existing model of corpse paint and gore lyrics. Also, while I do not agree with many of his political opinions, I do appreciate his insights regarding ancient folklore. More recently, I enjoy the music of the various blackened subgenres. For a short list in no particular order, I often listen to: Leviathan, Xasthur, Sapthuran, Paysage d'Hiver, Lantlos, Darkspace, and Nortt. Most recently, I have been listening to quite a bit of Moloch, and the new Elysian Blaze album.
11. Does Occultism play any role in the music?
The nihilistic denial of the presence of any truth in subjectivity is surely a principle that only a small population are ready to accept. While I do not advocate any type of religious faith, I do maintain a general reverence for chaos and irrationality. Humanity is so satisfied with logical truth and subjective rationality. While I agree that this type of thinking may be the most appropriate method of assessment and understanding, the assumption that existence must necessarily conform to the artificial presuppositions of humanity is an example of arrogance and ignorance.
12. Outside of music what are some of your interests?
I am a graduate student of psychology. I also pursue other studies in a variety of disciplines, but I mostly focus on philosophy and the sciences. Most recently , I have been studying philosophical works related to epistemology and existentialism.
13. Any final words or thoughts before we wrap up this interview?
It may sound paradoxical that a student of the sciences celebrates chaos and irrationality. However, all scientists should realize the limitations of their epistemic foundations. While the scientific method is the only way to construct valid interpretations of objectivity, the resulting perceptions do not necessarily contain any truth. While inductive generalizations enable descriptive attributions, theories are not valid definitions of existence. This criticism does not deny the functionality of science. Rather, the perpetual state of uncertainty is what motivates the continuous deductive assessment of subjective concepts. Also, I want to thank Occult Black Metal Zine for providing me with the opportunity to participate in this interview.
From occultblackmetalzine.blogspot.com
Minblod is a new project that I began after forming an affiliation with Humid Records. I am the sole composer and performer. All of the material is recorded in my simple home studio.
2. How would you describe your musical sound?
I think that it would not be inaccurate to say that Minblod may be described as an integration of the black and doom metal traditions. However, I do not attempt to adhere to any specific category. There are elements of my music that violate the definitions of either genre. However, the intentionally primitive production quality is commonly found in both black and doom metal. Rather than attempt to ensure that each component is clearly distinguishable, I prefer that my music be experienced as a cohesive aggregation of darkness and despair. The atmosphere is prioritized over any other consideration.
3. What are some of the themes and concepts the band brings out with the music?
Apparition and Aberration is an exploration of epistemic limitations. So called knowledge is merely a collection of propositions related only to subjective perceptions. The true nature of existence is never directly experienced. This nihilistic realization invalidates any notions of transcendental epistemology.
4. What is the meaning and inspiration behind the band's name?
Minblod represents the perpetual condition of subjectivity. Because consciousness is dependent on referential content, an individual is never able to acquire any absolute truth. Rather, the subject must construct artificial theories in order to interpret any meaning. While the accuracy of these representations may be increased through the assessment of hypotheses, it is not possible to possess absolute knowledge. Although false concepts may be eliminated by contrary evidence, a universal theory is never proved by a particular experience.
5. Has the band been able to play live or is this strictly a studio project?
In collaboration with Edward Newman, I have previously played live under the title of my previous project, Distorted Cognitions. However, I prefer to create an atmospheric experience that is really only possible in recordings. As of now, without some unforeseen circumstance, Minblod will not play live.
6. Currently you are signed to Humid Records, how did you get in contact with this label and how would you describe the support they have given you so far?
Initially, my previous project contributed to the first volume of the Humid Records Sampler. After that they expressed interest in working together on future releases. I like working with them. Humid Records is a small underground label that is supportive of the artists. They allow creative freedom and do not attempt to impose any restrictions on artistic expressions.
7. Worldwide, how has the feedback been to your music by fans of black and doom metal?
While feedback has been limited, it has mostly been positive. In the past, a few blogs have given good reviews of my previous music. I have also traded with several labels over the years. I am always open to trades. I encourage anyone who is interested to contact me.
8. Are there any other projects besides this band or is this a full time line up?
For now, I am focusing exclusively on Minblod. I am pretty sure that I am finished with Distorted Cognitions. However, I may do something with that series in the distant future. I am not completely opposed to the possibility of collaborating with someone else at some point, but typically I prefer to work alone. Maintaining total control over my music allows me to shape every element. I do not have to compromise.
9. What direction do you see your music heading into on future releases?
It seems as though my music has been progressing in the direction of slower and longer works. The material that I have been working on most recently places more emphasis on synthesizer contributions. I think that this adds more depth to the atmosphere. Although Apparition and Aberration does contain keyboards, they are mostly supplemental to the guitar on this release. In the future, the keyboard will likely be more prominent. I do not know if Minblod will ever completely abandon the metal genre as is common for aging black metal artists. It is sufficient to say that, if that type of development does occur, it will not be in the near future.
10. What are some bands or musical styles that have influenced your music and also what are you listening to nowadays?
In the beginning and to this day, Burzum remains one of my favorites. The influence that Varg's music has had on me is unquestionable. Although other musicians may have initially pioneered the black metal genre, to me, Varg was the first to really produce this type of music with such a profound atmosphere. Though he would likely deny it, I think that Varg is the single person who has had the most impact on black metal. While others were focused on being 'evil' and 'brutal', Burzum created something that transcended the existing model of corpse paint and gore lyrics. Also, while I do not agree with many of his political opinions, I do appreciate his insights regarding ancient folklore. More recently, I enjoy the music of the various blackened subgenres. For a short list in no particular order, I often listen to: Leviathan, Xasthur, Sapthuran, Paysage d'Hiver, Lantlos, Darkspace, and Nortt. Most recently, I have been listening to quite a bit of Moloch, and the new Elysian Blaze album.
11. Does Occultism play any role in the music?
The nihilistic denial of the presence of any truth in subjectivity is surely a principle that only a small population are ready to accept. While I do not advocate any type of religious faith, I do maintain a general reverence for chaos and irrationality. Humanity is so satisfied with logical truth and subjective rationality. While I agree that this type of thinking may be the most appropriate method of assessment and understanding, the assumption that existence must necessarily conform to the artificial presuppositions of humanity is an example of arrogance and ignorance.
12. Outside of music what are some of your interests?
I am a graduate student of psychology. I also pursue other studies in a variety of disciplines, but I mostly focus on philosophy and the sciences. Most recently , I have been studying philosophical works related to epistemology and existentialism.
13. Any final words or thoughts before we wrap up this interview?
It may sound paradoxical that a student of the sciences celebrates chaos and irrationality. However, all scientists should realize the limitations of their epistemic foundations. While the scientific method is the only way to construct valid interpretations of objectivity, the resulting perceptions do not necessarily contain any truth. While inductive generalizations enable descriptive attributions, theories are not valid definitions of existence. This criticism does not deny the functionality of science. Rather, the perpetual state of uncertainty is what motivates the continuous deductive assessment of subjective concepts. Also, I want to thank Occult Black Metal Zine for providing me with the opportunity to participate in this interview.
From occultblackmetalzine.blogspot.com
Monday, February 18, 2013
Apparition and Aberration: An Exploration of Epistemic Limitations (McWilliams, 2013)
Abstraction
“What we observe is not nature itself, but nature exposed to our method of questioning.”
“The reality we can put into words is never reality itself.”
Werner Heisenberg
Introduction
The acknowledgement of existence is the necessary origin of any philosophical discourse. This assertion does not refer to any beings in the particular sense of specific items. Rather, any discussion must be founded on the recognition of a process of being in general. This activity is immediately evident in the experience of consciousness. Even criticisms claiming that objectivity is merely illusory are dependent on the possibility of illusion which includes presuppositions that take for granted the subject as well as some mechanism of deception. All meaningful propositions must then either refer directly to the metaphysical nature of existence, as is the case with so called statements of truth, or to the epistemological means through which the subject interprets this essence. Although questions related to the properties of reality may seem most significant, any derived information is necessarily a product of some perceptual methodology. Therefore, this essay will begin with an assessment regarding the foundation of knowledge and then proceed to draw conclusions related to the limitations of subjectivity.
Apparition: on the scientific method
In order to derive any information regarding existence, the continuous stream of consciousness must establish a relationship between the subject and objectivity. The referential nature of propositions necessitates some means through which the features of existence may manifest. In isolation, one is unable to acquire any knowledge without some causal mechanism of transmission. Because of this intrinsic relativity, it is not possible to differentiate objective characteristics from mere artifacts of perception. The properties of the subjective experience originate equally from the sensory faculties and any circumstantial stimulation.
Rather than referring directly to the metaphysical, functional propositions are only relevant in application to subjective perceptions. Any further interpretation is dependent on a causal attribution that implies a correspondence between distinct experiences and differential disturbances. This type of presupposition is not founded on any rationality or evidence but only the desire for a meaningful comprehension of existence. The assumption that perceptions are the result of environmental variables enables the construction of concepts that provide significant accounts for dynamic sensations. Such artificial derivatives are the source of interpretations regarding objective interactions.
In order to focus attention on important elements, the subject summarizes a collection of sensations by attributing their origin to a common agent. Because the quantity and complexity of empirical information supersedes the capacity of consciousness, perceptual representations reduce the processing required to attend salient features. The interpretive projections of causality consolidate various experiences into the cohesive ideas of which the subject is conscious. These subjective phenomena are not necessarily equivalent to the presupposed metaphysical origin of their manifestation. Thus, it is evident that, although the general sense of existence is immediate, the perception of discrete particularities is only illusory.
Because information must be transmitted to consciousness through the sensory faculties, the true character of the metaphysical is inaccessible to the subject. Any perceptual content includes manipulations that result from the systems of interaction that enable experience. However, the referential nature of perception enables the generation of propositions that may be verified in comparison with objectivity. Although the relationship between variables may never be irrefutably confirmed, hypotheses may be invalidated by contrary evidence. While the truth of any theory is never absolutely certain, a degree of confidence may be established. The probability of the existence of a relationship is proportional to the number of differential results obtained through the initiation of distinct conditions.
Functional propositions are generated through this systematic experimentation. Propositions may be verified to the degree that their implications are assessed in pragmatic applications. Because it is impossible to examine every instance of a concept, the subject is unable to escape a level of uncertainty regarding theories. Inductions of meaning are never absolute. The confirmation of a hypothesis in every prior evaluation does not indicate that subsequent events will necessarily conform to theoretical expectations. Deductive applications may falsify a general concept in a particular case. This realization indicates that, rather than consisting of truth, so called knowledge includes only conditional ideas derived from history.
Aberration: on the religious inclination
Because perceptual content is dependent on personal experience, it is determined largely by cultural context. Through socialization, an individual acquires the dominant modes of interpretation operating within a culture. This inevitable inheritance is the origin of a perspective that is then developed into individuality. Such relative foundations enable a variety of meanings to be derived from particular sensations. These distinct ideas result from different historical contexts through which significance is evaluated. Considering that all concepts are necessarily subjective, there are means with which one may form rational judgments regarding theories. Representative concepts may be assessed by the degree to which they are consistent with reality. In contrast, moral ideals must be evaluated in an instrumental context.
The imperfect nature of perceptions establishes an imperative to continuously assess their validity through deductive applications. Because inductive interpretation is the foundation of knowledge, the accuracy of representations is increased when they are altered in the context of contrary experiences. Truth is not inherited from some objective origin. Rather, subjective ideas progressively approximate truth through repeated deductive trials and subsequent modifications. A perpetually incomplete sense is developed through the comparison of artificial constructs to particular examples.
Description is the only appropriate application of a theory. Some concepts may have predictive value, but no idea is absolute. Existence is not defined by the functional terms that enable subjective interpretations. The expectation that nature must necessarily conform to perceptual ideals results from arrogance and ignorance. Concepts are generalizations derived from particular experiences. This process generates a degree of error as individualities are consolidated into some average value. This prototype may be used to assess novelty in the context of previous events. Any differentiation indicates a fundamental limitation of the essentialist concept rather than the existence of some new deviant form.
The illusory character of perceptions invalidates objective foundations of value. Since the true nature of existence is never directly experienced, moral propositions must originate from subjective reasoning. All moral systems are necessarily teleological. Any instrumental imperative must be founded on some consequential value. Prescriptive statements necessarily references some intrinsic ideal toward which their practice is directed. However, this realization does not justify absolute egoism. In order for moral systems to must maintain rational consistency, teleological values must be limited within deontological principles.
As the source of all judgments, rationality is the standard for evaluations regarding the validity of actions. Appropriate regulations service the priorities of the subject without resulting in a logical contradiction. A paradox indicates that a prescription is not consistent with the categorical imperative to maintain universal validity. A degree of contradiction is constant because, rather than define existence, morality functions to deviate the progression of events from a natural course. This purpose is ultimately futile since the continuity of causality is perpetual. Morality is an artificial system constructed to temporarily preserve preferred modes of existence, but the perception of any discrete form is only illusory. The state of nature is effectively chaos. Because no value transcends subjectivity, any interpretation within the limitations of falsification is equally valid and invalid.
Acknowledgements
Leo Dyer
Sergiy Fjordsson
Billy Chad Grooms
Justin Hembree
Edward Newman
Suggested Reading
Werner Heisenberg
Edmund Husserl
Friedrich Nietzsche
Jean-Paul Sartre
Ludwig Wittgenstein
“What we observe is not nature itself, but nature exposed to our method of questioning.”
“The reality we can put into words is never reality itself.”
Werner Heisenberg
Introduction
The acknowledgement of existence is the necessary origin of any philosophical discourse. This assertion does not refer to any beings in the particular sense of specific items. Rather, any discussion must be founded on the recognition of a process of being in general. This activity is immediately evident in the experience of consciousness. Even criticisms claiming that objectivity is merely illusory are dependent on the possibility of illusion which includes presuppositions that take for granted the subject as well as some mechanism of deception. All meaningful propositions must then either refer directly to the metaphysical nature of existence, as is the case with so called statements of truth, or to the epistemological means through which the subject interprets this essence. Although questions related to the properties of reality may seem most significant, any derived information is necessarily a product of some perceptual methodology. Therefore, this essay will begin with an assessment regarding the foundation of knowledge and then proceed to draw conclusions related to the limitations of subjectivity.
Apparition: on the scientific method
In order to derive any information regarding existence, the continuous stream of consciousness must establish a relationship between the subject and objectivity. The referential nature of propositions necessitates some means through which the features of existence may manifest. In isolation, one is unable to acquire any knowledge without some causal mechanism of transmission. Because of this intrinsic relativity, it is not possible to differentiate objective characteristics from mere artifacts of perception. The properties of the subjective experience originate equally from the sensory faculties and any circumstantial stimulation.
Rather than referring directly to the metaphysical, functional propositions are only relevant in application to subjective perceptions. Any further interpretation is dependent on a causal attribution that implies a correspondence between distinct experiences and differential disturbances. This type of presupposition is not founded on any rationality or evidence but only the desire for a meaningful comprehension of existence. The assumption that perceptions are the result of environmental variables enables the construction of concepts that provide significant accounts for dynamic sensations. Such artificial derivatives are the source of interpretations regarding objective interactions.
In order to focus attention on important elements, the subject summarizes a collection of sensations by attributing their origin to a common agent. Because the quantity and complexity of empirical information supersedes the capacity of consciousness, perceptual representations reduce the processing required to attend salient features. The interpretive projections of causality consolidate various experiences into the cohesive ideas of which the subject is conscious. These subjective phenomena are not necessarily equivalent to the presupposed metaphysical origin of their manifestation. Thus, it is evident that, although the general sense of existence is immediate, the perception of discrete particularities is only illusory.
Because information must be transmitted to consciousness through the sensory faculties, the true character of the metaphysical is inaccessible to the subject. Any perceptual content includes manipulations that result from the systems of interaction that enable experience. However, the referential nature of perception enables the generation of propositions that may be verified in comparison with objectivity. Although the relationship between variables may never be irrefutably confirmed, hypotheses may be invalidated by contrary evidence. While the truth of any theory is never absolutely certain, a degree of confidence may be established. The probability of the existence of a relationship is proportional to the number of differential results obtained through the initiation of distinct conditions.
Functional propositions are generated through this systematic experimentation. Propositions may be verified to the degree that their implications are assessed in pragmatic applications. Because it is impossible to examine every instance of a concept, the subject is unable to escape a level of uncertainty regarding theories. Inductions of meaning are never absolute. The confirmation of a hypothesis in every prior evaluation does not indicate that subsequent events will necessarily conform to theoretical expectations. Deductive applications may falsify a general concept in a particular case. This realization indicates that, rather than consisting of truth, so called knowledge includes only conditional ideas derived from history.
Aberration: on the religious inclination
Because perceptual content is dependent on personal experience, it is determined largely by cultural context. Through socialization, an individual acquires the dominant modes of interpretation operating within a culture. This inevitable inheritance is the origin of a perspective that is then developed into individuality. Such relative foundations enable a variety of meanings to be derived from particular sensations. These distinct ideas result from different historical contexts through which significance is evaluated. Considering that all concepts are necessarily subjective, there are means with which one may form rational judgments regarding theories. Representative concepts may be assessed by the degree to which they are consistent with reality. In contrast, moral ideals must be evaluated in an instrumental context.
The imperfect nature of perceptions establishes an imperative to continuously assess their validity through deductive applications. Because inductive interpretation is the foundation of knowledge, the accuracy of representations is increased when they are altered in the context of contrary experiences. Truth is not inherited from some objective origin. Rather, subjective ideas progressively approximate truth through repeated deductive trials and subsequent modifications. A perpetually incomplete sense is developed through the comparison of artificial constructs to particular examples.
Description is the only appropriate application of a theory. Some concepts may have predictive value, but no idea is absolute. Existence is not defined by the functional terms that enable subjective interpretations. The expectation that nature must necessarily conform to perceptual ideals results from arrogance and ignorance. Concepts are generalizations derived from particular experiences. This process generates a degree of error as individualities are consolidated into some average value. This prototype may be used to assess novelty in the context of previous events. Any differentiation indicates a fundamental limitation of the essentialist concept rather than the existence of some new deviant form.
The illusory character of perceptions invalidates objective foundations of value. Since the true nature of existence is never directly experienced, moral propositions must originate from subjective reasoning. All moral systems are necessarily teleological. Any instrumental imperative must be founded on some consequential value. Prescriptive statements necessarily references some intrinsic ideal toward which their practice is directed. However, this realization does not justify absolute egoism. In order for moral systems to must maintain rational consistency, teleological values must be limited within deontological principles.
As the source of all judgments, rationality is the standard for evaluations regarding the validity of actions. Appropriate regulations service the priorities of the subject without resulting in a logical contradiction. A paradox indicates that a prescription is not consistent with the categorical imperative to maintain universal validity. A degree of contradiction is constant because, rather than define existence, morality functions to deviate the progression of events from a natural course. This purpose is ultimately futile since the continuity of causality is perpetual. Morality is an artificial system constructed to temporarily preserve preferred modes of existence, but the perception of any discrete form is only illusory. The state of nature is effectively chaos. Because no value transcends subjectivity, any interpretation within the limitations of falsification is equally valid and invalid.
Acknowledgements
Leo Dyer
Sergiy Fjordsson
Billy Chad Grooms
Justin Hembree
Edward Newman
Suggested Reading
Werner Heisenberg
Edmund Husserl
Friedrich Nietzsche
Jean-Paul Sartre
Ludwig Wittgenstein
Friday, February 15, 2013
Occult Black Metal Zine Review
Minblod are a band from South Carolina that plays a mixture of depressive black and doom metal and this is a review of their 2013 album "Apparition And Aberration" which was released as a joint effort between Humid Records and Depressive Illusions.
Drums range from slow to mid paced playing with no fast drumming or blast beats being present on t his recording, while the bass playing has a very dark tone with riffs that follow the riffing that are coming out of the guitars, as for the synths when they are utilized they bring a very atmospheric and dark ambient sound to the recording.
Rhythm guitars range from slow to mid paced riffs that combine depressive black metal with doom to create a sound of their own and there are no guitar solos or leads present on this recording.
Vocals are all high pitched and grim sounding depressive black metal screams, while there is not much in the way of lyrics, as for the production it has a very dark, raw and primitive sound to it with some of the songs being long and epic in length.
In my opinion Minblood are a very great sounding hybrid of depressive black metal and doom and if you are a fan of this musical genre, you should check out this band. RECOMMENDED TRACKS INCLUDE "Dark Mysteries" and "Heuristic Construct". RECOMMENDED BUY.
Taken from: occultblackmetalzine.blogspot.com
Drums range from slow to mid paced playing with no fast drumming or blast beats being present on t his recording, while the bass playing has a very dark tone with riffs that follow the riffing that are coming out of the guitars, as for the synths when they are utilized they bring a very atmospheric and dark ambient sound to the recording.
Rhythm guitars range from slow to mid paced riffs that combine depressive black metal with doom to create a sound of their own and there are no guitar solos or leads present on this recording.
Vocals are all high pitched and grim sounding depressive black metal screams, while there is not much in the way of lyrics, as for the production it has a very dark, raw and primitive sound to it with some of the songs being long and epic in length.
In my opinion Minblood are a very great sounding hybrid of depressive black metal and doom and if you are a fan of this musical genre, you should check out this band. RECOMMENDED TRACKS INCLUDE "Dark Mysteries" and "Heuristic Construct". RECOMMENDED BUY.
Taken from: occultblackmetalzine.blogspot.com
Wednesday, January 16, 2013
Minblod: Apparition and Aberration
Released through Humid Records.
Amazon : Google Play : Emusic
"Apparition and Aberration" is a consideration of phenomenological realizations.
1 Dark Mysteries
2 Dreams of Another World
3 Three Permutations
4 Aspect Correspondence
5 Heuristic Construct
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